
Drawing from the instructor Nicholas Pickwoad’s research and using examples from the library’s collection, the class examined how changes in the style and structure of book bindings produced during this period can illustrate the effects of changing pressures and developments in the book trade and in the printing and bookbinding industries at the time.
The class will allow me and my fellow conservators to better contextualize the bindings we comes across during the course of our work as conservators as well as enable us to identify, document, and preserve critical evidence during treatment.

It was packed full of practical techniques and handy tricks that Ms. Mesmer has amassed during her 30+ years as a bookbinder, conservator and educator. The tips ranged from pulp-filling paper losses, performing corner and leather repairs, and to creating a new flexible leather binding.
I am really looking forward to sharing these techniques with my colleagues in Conservation and to putting them to good use in my treatments.
No comments:
Post a Comment